Immersive score composition — orchestral, hybrid, and electronic textures for indie film, TV, trailers, video games, multimedia, and imagined worlds.
Miguel Johnson is a Las Vegas-based film, TV, and video game music composer working remotely with Los Angeles productions. He creates cinematic orchestral, hybrid, electronic, sci-fi, noir, and suspense scores, with credits including Like the Spider, Echo Hunter, and Expedition Artemis. Available for scoring inquiries.
Cinematic noir trip-hop from a dystopian future Chicago — downtempo beats, smoke-low vocals, dark jazz, and noir color. A parallel signal transmitted from 2093.
A sonic sculptor working at the seam where orchestral grandeur meets electronic decay — building scores for film, multimedia, and the digital worlds that haven't been rendered yet.
Miguel Johnson composes for picture and speculative form. His work ranges from the Amazon Prime feature Like the Spider to the short films such as Echo Hunter, and Echo Hunter: A Memory Too Far as well as scores inspired by Elite Dangerous, Star Citizen, and video game soundtracks such as Gaia Beyond — ten albums of cinematic, synthwave, and hybrid orchestral music spanning a decade.
The practice is textural. Strings are bowed until they fray; synths are run through tape until they remember something. Every cue is a small room with specific weather.
For film scoring, TV music, trailer cues, video game soundtrack, licensing, or collaboration inquiries — reach out via the secure terminal. All signals received and processed.